By Cameron Carter

 

As a child, I never considered myself to be creative. I would watch the other children draw magnificent pictures of people, while mine looked like a somewhat glorified stick figure. Others would craft beautiful clay pots, while mine would remain in the kiln because the handle and top fell off. Not only did I see my lack of artistic abilities at school, but in the home as well. My mom always was able to whip up any type of drawing just by quickly looking at a photo. She would paint magnificent landscape portraits on canvases. Growing up, she tried to involve me in classes at the local art museum, but that was very short lived.

 

As one can clearly see, I felt as though I lacked the creative gene. This fixed mindset frame I was in all changed when I attended the Columbus Museum of Art Creativity Institute this past summer. I was proposed with the opening statement, “Creativity does not equal art skill.” At first, I was a bit confused. I never thought of creativity as not being able to draw the perfect landscape scene or cartoon character. The institute taught me that we are all artists in our own unique way. One does not have to possess art skills to be creative. Taking an alternative route home from work is thinking creatively. Taking a photo of your dinner and editing it is being creative. Organizing your freezer like a Tetris game so all your food fits is thinking creatively. My eyes were opened to forming a new definition of creativity.

 

The institute referred to the text, “Making Thinking Visible” by Ron Ritchhart. The book promotes students to notice and wonder about the world around them. Students are encouraged to be curious and use multiple pathways of critical thinking to find many possible solutions. Teachers must engage and provide students with models to promote their thinking. Students must be open to disequilibrium in their thinking in order to achieve the highest level of creativity. It may certainly look messy and unorganized, but it is the thinking process that is most powerful. Educators need to understand it is always about the quality of thinking versus the quantity of the thinking. One must embrace the world of ambiguity in order to help adapt this creative mindset.

 

After this powerful mind shift experience, I wanted to quickly incorporate it in the classroom. I wanted my students, and their parents, to know that creativity is not just being able to draw the perfect image. For our school’s open house, I asked the parents to partake in a creativity challenge where they received a brown lunch bag full of random items. The instructions were simple and concise: collaborate in small groups to create an emotion. The ambiguity of the instructions alarmed some, but they began right away. I walked around and documented the conversations overheard, and at the end of the challenge, we reflected on all the thinking processes observed. The parents were amazed at the higher order thinking skills that were demonstrated with the simple task. Next, it was onto the students.

 

We completed the creativity challenge, and we reflected on our challenges and triumphs. The students shared the collaboration piece was key when they faced a moment of disequilibrium. They saw the value in the questions, “What do you notice?” and “What do you wonder?”

 

In our class, we encourage all to speak our common language to promote creative thinking. I encourage educators to take this leap to bring creativity in the classroom. Always remember, creativity does not equal art skill.

 

Cameron Carter is a first-grade teacher at Evening Street Elementary in Worthington, OH. He is the Elementary Lead Ambassador for the National Council of Teachers of English and the Elementary Liaison for the Ohio Council of Teachers of English Language Arts. To continue learning with Cameron, follow him on Twitter @CRCarter313

 

By: Lester Laminack

 

Mr. Rogers understood and demonstrated the elegance and power in simple and consistent structures and routines.  His framework was predictable and visible, even to his young viewers. Think about the opening scene for any episode.  He enters and speaks to you, directly to you, in the singular. He sings and moves toward the closet where he unbuttons his jacket, removes it, and hangs it in the closet.  He takes his sweater from a hanger, puts it on and buttons or zips. Then he steps down to a bench where he removes his loafers, neatly tucks them away before slipping his foot into one sneaker and tying it, and then the other.  In that simple routine, he greets you, speaks directly to you and engages you in the familiar song that is your welcome each time you visit. During the time it takes to sing that simple song he demonstrates buttoning/unbuttoning, zipping/unzipping, tying/untying, and putting things where they belong so you can locate them the next time.  And, then, at the end of each episode, he does it all again as he makes his way to the door signaling the closure of our time together.

 

Each of the daily routines is paired with a song or his gentle, focused voice giving you an overview of what he has planned.  He tells you what to expect as he begins to unfold the episode and you move forward with a story, a visit to picture-picture for a virtual field trip or a deeper look into a topic, or he phones a neighbor to request permission to bring you along for visit, or on occasion someone drops in to visit with you.  In all this, he models civility and the importance of planning and preparation, the efficiency of reflection and thought before action.

 

These simple routines remind us of the impact a consistent practice can have. They provide a structure that enables our students to anticipate what is coming next. It sets them up to prepare their materials and their mindset.

 

What You Can Learn From Mr. Rogers

 

Each episode includes time for nurturing the imagination. You know Mr. Rogers will lead you there when he takes a seat on the bench next to Trolley.  Almost always the plan for “make-believe” will extend the theme of the day (e.g. worry, feelings, competition, mistakes). As you move through the tunnel and come out on the other side in “The Land of Make Believe” you have trusted friends there as well, ( e.g. X the Owl, Henrietta Pussycat, Lady Aberlin, Mr. McFeely, Daniel Striped Tiger, and others). You know that in each visit several of these trusted friends will be involved in some drama of their own. The storyline is typically simple and relatable, the variety of characters lets you see that it is possible for the same events to be perceived differently by a group of individuals.  Feelings get hurt, friends realize their comments and or actions can inadvertently cause another to feel bad. You see the powerful positive impact of heartfelt apologies and the opportunity to change thinking and behavior. Perhaps the beauty of those simple puppets is that they can say things you feel; things you may not have the words to say or that you may not be sure it is ok to say.  Mr. Rogers and your friends in “The Land of Make Believe” allow you to acknowledge feelings even before you can name them, to see the impact of words and actions and to understand that you have control of your own.

 

The entire episode moves through a series of events or scenes hinged one to another with a simple routine (e.g. an action, a movement, a song). The predictability of his routine does not result in boredom; rather it brings a sense of stability in a world of the fast-paced, ever-changing schedules and routines in the lives of children. There is never a wasted moment, yet there is never a moment when you feel rushed.  There is no pressure to do it right or do it better. There is no suggestion that your value as a person hinges on your success with any activity. Instead, Mr. Rogers assures you over and over again that you are enough just the way you are. He assures you that he is proud to be your neighbor and that you are the only you in this great wide world.

 

Important lessons for Teachers

 

Mr. Rogers is still teaching us.  His show spanned over 30 years and in that time his structures and routines remained consistent.  Let’s pause here to consider what this can mean for us today.

• Each of us desires to be acknowledged, to have our humanity recognized and confirmed.  Mr. Rogers greets you and makes you feel welcome. We owe that to our students, each of them deserves to be acknowledged and welcomed each day.
• Simple structures, rituals, and routines help us focus and move into the frame of mind needed to engage. Mr. Rogers had songs that marked various transitions in the visit.  We can easily adapt that to sharing a poem, a song, or a rhyme that is age appropriate to mark the opening and closing of a class meeting.
• Unspoken visible rituals can be effective as transition markers. Mr. Rogers had several of these including his jacket, sweater, loafers, sneakers, feeding the fish, and more. We can adapt these easily.  Designate a stool for read-aloud and sit on it only when sharing a text. Or set aside a cap or hat that you wear only when reading aloud. You may keep a pair of reading glasses on a shelf next to the basket of read-aloud texts for the week. Wear those particular glasses only when you share a text.  Simple routines send clear messages that soon become a part of the classroom culture.
• Civility is learned.  Mr. Rogers was a living model of civility.  He was always kind. He never had an unkind word for or about anyone.  He greeted visitors warmly and genuinely. He always phoned ahead to request permission to visit and to bring you along with him.  He was conscious of the feelings of others. Today we often hear adults lament the loss of civility. Well, my friends, it is we adults who must be the models of what it looks like and why it is needed. This one is easy, but essential.
• Planning and advanced preparation reduces anxiety and increases efficiency. In each episode, Mr. Rogers talks through his plans for our visit.  He poses questions, offers ideas, reflects, and then takes action. He invites us to think. Consider the importance of sharing aloud your plan for the day. When students know how the class will unfold and how each piece fits into the whole we reduce the potential for misunderstanding, misconnections, and misbehavior.  
• Imagination is a powerful tool. Mr. Rogers folded imagination/pretend into each episode.  It was in our visits to “The Land of Make Believe” that we had an opportunity to see the “theme” of the episode play out inside the stories of a familiar cast of characters.  As teachers, we recognize the importance of giving our students multiple access points to the lesson. Follow Mr. Rogers’ lead and offer students the opportunity to imagine and to consider the lesson through a different lens.

Keep in mind that children thrive on routines, kindness, and recognition of what they do well.  Reach and develop the imagination of every child you teach, for heightened imagination is a path to creative thinking.

Lester’s books are on Amazon!

Learn more about Lester Laminack, check out his website!

Follow Lester on Twitter @lester_laminack

by Laura Robb

Why make time for independent reading? It’s a question schools frequently wrestle with. The answer is simple. The more students read, the better readers they become. Independent reading builds stamina, the ability to concentrate for at least thirty minutes. It also enlarges vocabulary, background knowledge, and provides the practice students need to become proficient and advanced readers.  Equally important is that independent reading develops students’ personal reading lives and sets them on the path to becoming lifelong readers because it nurtures their heads and hearts.

When I return to area schools to teach, I ask students this question: What do you think and feel while reading?  The responses that follow are typical of students who avoid reading and those who enjoy it.

• Jerome, an eighth-grade student wrote “0” and added “nothing.”
• Ricardo, a seventh grader, wrote: I learn good stuff about cars when I read. Sometimes I laugh and feel sad from books.”

Jerome dislikes reading and explained why during a conference: “I hate it.

Boring. Got better things to do.” Students like Jerome feel disconnected and alienated from reading. Stories and informational texts don’t affect their heads or their hearts.

In contrast, Ricardo enjoys reading fiction and nonfiction. An independent reading book is always on his desk. “If I have time, it’s [the book] there,” he tells me.  “I like to keep three or four books in my locker. If I finish one, it’s easy to get another [book].”

More than 1500 years ago, Aristotle, the famous Greek philosopher wrote: “Educating the mind without educating the heart is no education at all.” His words help explain why some students love to read and others dislike and avoid it: Unless reading affects mind and heart, students are merely decoders, saying the words on a page. That’s. Not. Reading.

To support students’ independent reading, first, reflect on and evaluate your classroom culture and environment by asking yourself, Does my teaching show how much I value independent reading?

Create a Class Culture That Values Independent Reading

The class environment you create can encourage students, even those who struggle with reading, to enter the reading life. It’s important to have a rich classroom library with books on a wide range of reading levels and diverse topics that offers access to books for students. Display books on your desk, under the chalkboard, on windowsills and advertise books that will motivate students to browse and choose one. In addition, it’s important to:

• Reserve time each week to present a brief book talk on new arrivals and invite students to book talk their favorites.
• Set aside class time for students to self-select independent reading books and find a comfortable place to read for twenty to thirty minutes.
• Share books you’re enjoying and read aloud every day.
• Invite students to share their favorite books on a class blog and/or a school website.
• Have conversations with students about their books and encourage them to discuss their books with a peer partner. Try questions such as: Why did you choose this book? Explain how did the book make you feel? What about the book did you enjoy? What did you learn from this book? How did the book connect to your life?
• Invite the principal and other guests into your class to read aloud.

You’ll want to have books on a wide range of reading levels and topics so all students choose books they can read and understand—books that affect head and heart. In a class where the teacher values independent reading, students develop the motivation and engagement to read more and read widely.

Motivation and Engagement Matter

Motivation comes from within a student and is visible when you observe students choose to read for the pleasure the experience offers. Students past reading experiences affect their motivation to read. If they struggle with texts used at school or find reading tasks such as completing worksheets boring, their motivation or desire to read diminishes.

In contrast, students who are voracious readers have positive and joyful past experiences with reading. Their motivation to read is consistently high because they’re always engaged with the books they choose and the reading experiences teachers offer. Motivated and engaged readers choose to read self-selected books at school and at home.  A sixth grader put it this way: “if I’m into a book the only thing that can get my attention is if my pants are on fire.”

Assessment: The Elephant in the Room

Avoid grading independent reading. Grading dioramas and nightly summaries of completed pages will turn students away from reading. Instead, have students write the title and author of completed or abandoned books on a book log form and choose a book to discuss with their group every six weeks. Encourage students to present short book talks once each month.  In a class with twenty-eight students who present monthly book talks, students will be introduced to 280 books over ten months. Trust. Your. Students. To. Read.

Closing Thoughts

Instead of saving it for the end of class and frequently omitting it, start your class with fifteen to twenty minutes of independent reading. Encourage students to keep a self-selected book on their desks so they can read it when they complete a task early. Make sure the centerpiece of your homework is thirty minutes of reading each night. If you make time for independent reading at school and celebrate books, then a transformation from “I hate reading,” to “Can we have more time to read?” surely will occur.

Follow Laura on Twitter @LRobbTeacher

Check out Evan’s blog posts on ScholasticEDU!

Learn more about Laura’s ideas on reading- check out- Teaching Reading in Middle School

 

 

Timothy Rasinski, Ph.D.

Enjoy our most popular post from Tim Rasinski! Tim will share a new post with the Robb Review on August 25!

For many of you, the title of this blog entry may sound a bit nonsensical — Why teach something and then not use it?  But let me ask you to think a bit more deeply about phonics.  If you are reading this you are likely a proficient reader.  When reading how often do you have to stop and analyze or “sound out” individual words?  My guess is that more than 99.9% of the words you encounter in reading are not analyzed or “sounded.”   Most words we encounter as proficient readers are sight words – they are recognized instantly and near effortlessly.  Phonics is hardly used at all when proficient readers read.

We need phonics and other word analysis skills in order to get words into our heads.  But after a few encounters with analyzing specific words, those words become “imprinted” in our brains as sight words.  We need phonics to get words into our internal lexicons.  But once those words are automatized or made into sight words phonics is no longer needed.

Getting words to the point of automatization is critical to proficient reading.  The problem in reading is that all of us have a limited or finite amount of attention or cognitive energy.  Analyzing words, as is done in phonics, uses up a lot of that cognitive energy.  And that energy that is applied to word analysis cannot be applied to the more important part of reading – comprehension.  So what often happens are readers who can read all the words correctly, but because they are spending their precious cognitive resources on word analysis their comprehension falters.

Carol Chomsky noted this phenomenon in her 1976 classic article entitled “After decoding: What?”  Working with struggling readers, she taught them to decode words. However, despite the fact that they were able to decode words accurately, “albeit slowly and painfully (p. 288),” they continued to struggle with reading comprehension and general proficiency in reading.  The answer to her question of “What?” was helping students develop automaticity or fluency in their reading.  She did this by having students read interesting and challenging materials while simultaneously listening to an audio-recorded version of the text.  In a 15 week intervention period (less than four months), her students made approximately 8 months of progress in reading!

Phonics is important, no question about it.  It is a tool that readers use to get words into their internal lexicons.  However, proficiency in phonics should not be the goal. Rather the goal should be to get students to the point where most of the words they encounter are automatically recognized so that their attention can be devoted to making meaning.

The way to get young readers to the point of automatic word recognition is the same way a person develops automaticity in any activity – practice.  However, the practice needs to be the kind that allows children to move to proficient reading.  Two of the best ways of providing proficient practice is through assisted reading and repeated reading.

Assisted reading is what Carol Chomsky used with her students.  Students read texts while simultaneously listening to a fluent reading of the text.  This can occur by reading with a more proficient partner, reading with a group of others, or reading while listening to a recorded version of the text.  In all of these situations, the assist of another reader provides students with a scaffold that allows them to approach fluent reading on their own.

Repeated reading simply involves reading a text multiple times until a student can read it at a level that approaches proficiency.  When students who struggle in reading read a text, the initial reading is not proficient.  However, when they read it a second, third, and perhaps even a fourth time their proficiency improves until they are able to read it much like a proficient reader.  The “magic” behind both assisted and repeated reading is that the improvement that comes from reading one text with assistance and/or repeatedly transfers to new texts that students have not previously read.  In essence, students begin to pull their reading up by their bootstraps.

While I don’t want to get overly technical in this blog, I do want to mention that, in this age of scientifically based reading instruction, a good deal of research supports both assisted and repeated reading, especially with students who find reading difficult.  In a recent review of research related to fluency interventions Stevens, Walker, and Vaughn (2017) conclude that “Results showed repeated reading,… and assisted reading with audiobooks produced gains in reading fluency and comprehension” (p. 576). My own research on the Fluency Development Lesson (Rasinski, 2010), a lesson that integrates assisted and repeated reading consistently results in improved performance in word recognition automaticity and comprehension.

While it is critical that we provide students with solid instruction in phonics or word decoding, it is equally important that we keep in mind that we need to take students to that next level word reading—fluent, automatic, and proficient reading.

References

Chomsky, C. (1976). After decoding: What? Language Arts, 53, 288-296.

Rasinski, T. V. (2010).  The fluent reader:  Oral and silent reading strategies for building word recognition, fluency, and comprehension (2nd edition).  New York: Scholastic.

Stevens, E., Walker, M., & Vaughn, S.  (2017). The effects of fluency interventions on the reading fluency and reading comprehension performance of elementary students with learning disabilities:  A Synthesis of the research from 2001-2014. Journal of Learning Disabilities, 50, 576-590.

 

You can find resources for teaching accurate and automatic word recognition (i.e. fluency) at Tim’s own website – www.timrasinski.com

Daily Word Ladders by Timothy Rasinski

Follow Tim on Twitter @TimRasinski1