By David L. Harrison

I know poets with Ph.D. in front of their names. They lecture about poetry, write books about poetry, and their poems appear in erudite journals and magazines. I know poets who learned their trade by taking classes and workshops, reading poetry, and writing a lot of their own. And I know poets who are tone-deaf, metrically challenged and have little chance of ever being published. But from the amateur to the renowned, all these poets write for the same reason: they love to write poems. There’s another category of poets I know: teachers, who find themselves facing the annual, obligatory poetry unit with the same enthusiasm with which they greet preparing their taxes. It’s one thing to write poems because you want to. Writing them because you have to, especially in front of a classroom of kids watching, can be quite another matter. But it doesn’t have to be, and it shouldn’t be.

When I made up my first poem, I was hungry and tired of waiting. My mother was frying fish in the kitchen and I was sent to the living room to wait for dinner. The words I thought of expressed my need. I liked the way they sounded. “Sometimes I wish/I had a fish/upon a little dish.” No one told me I had to make up a poem. I was six years old so I could do anything. Seven decades later I’m still making up poems. The reason hasn’t changed: it’s a fun thing to do. Writing poems makes me feel good. Writing well is neither simple nor easy but it provides me with a sense of gratification that drives my desire to do it again. I keep paper and pen close by. I stash them in my bedroom, my car, my pockets. If there’s anything I’m better at than finding enticing ideas at unexpected times and places, it’s forgetting them if I don’t quickly scratch out a note.

I write poems because I can’t not write poems. No other form of writing can do for me what poetry can. In a few words I can express my thoughts and feelings about anything that attracts my interest—from wanting a fish upon a dish to the day our daughter was born. This works across the board for everyone from beginner to old pro to teacher showing kids how to do it. What other genre of writing can give us such a range of opportunities?

None.

Unless our ultimate goal is to see our work published, how good we are at writing poems is not as important as the fact that we can write poems. Few people have time or fortitude to tackle a story, much less a novel, but anyone can write a poem and receive the rewards that only true self-expression can provide. Studies show that young people who write poems expand their vocabularies, feel more acutely the natural rhythms flowing through our language, and learn to think more clearly, become more fluent readers and better speakers. Who can say that adults don’t receive similar benefits?

The last few decades have attracted a growing number of poets who specialize in writing for young readers to help entice them to write poems of their own. Many such poems appeal to readers of all ages. Where is the line between “big kids’” poetry and “little kids”’ poetry? For sure some poems meant for adult readers are too dense or sophisticated for young readers. But in many cases, it’s hard to say where or whether a line exists. When children can understand the work of a poet laureate (such as Billy Collins or Ted Kooser) and adults can like poems by “children’s” poets, the issue seems moot. When poems can be shared by so many readers, that alone is worth celebrating.

Where does a love for poetry begin? For many, it starts in kindergarten. Teachers who “marinate” their kids in poetry, as Bernice Cullinan (2006) urges, never wait until their poetry unit rolls around to read a poem to their kids. They do it every day. They know the advantages of involving poetry in every aspect of their teaching. This is not new news. Kathy A. Perfect (1999) wrote, “I could not imagine teaching a day without poetry in my classroom. It starts our day, shapes our day, and sometimes helps us get through the day.” Fast forward to Susan Hutchens (2018, personal correspondence), a Colorado teacher, who urges, “Always make room for poetry with students during times other than the obligatory poetry unit. In fact, be willing to add poetry whenever an interest arises.”

Is so much attention to poetry making a difference among young adults? Sunil Iyengar, NEA director of research and analysis, reported in June, 2018 that “twenty-eight million American adults read poetry this year — the highest percentage of poetry readership in more than 15 years…Young adults and certain racial ethnic groups account for a large portion of the increase. U.S. poetry readers aged 18 to 24 more than doubled…Among people of color, African Americans and Asian Americans are reading poetry at the highest rates — which more than doubled in the last five years.”

When my mother got married as a young woman, she gave up her secretarial job to become a stay-at-home wife and eventually raise two children. One day in her 90s, she casually mentioned to my sister and me that she had been writing poems since before we were born. She produced a shoebox filled with her poems, each handwritten on lined tablet paper. Writing poetry had been her secret delight over a lifetime. Her work wasn’t written to be published. But her love for words and writing made her a perfect coach for a 6-year-old wishing for a fish upon a dish. Not all teachers write better poems than their charges may write one day. That isn’t the point. What matters is that teachers who write poems because they love to are the ones most likely to pass that love along through their kids into the future. What a gift!

© David L. Harrison

David L. Harrison.com

David’s Blog

Cullinan, E.B. (2006), Galda, L. and Cullinan, E.B. Literature and the child. Harcourt        Brace Jovanovich

Hutchens, S. (2018) Personal correspondence. Livermore, CO

Iyengar, S. (2018, June). Reading tends to be a portal to other types of participation and           other types of engagement, in the arts and outside the arts. PBS News Hour.    Available at https://www.pbs.org/newshour/arts/poetry/how-young-writers-are      leading-a-poetry comeback?utm_source=Publishers%20Weekly&utm_campaign=8909d8c26c            EMAIL_CAMPAIGN_2018_07_12_09_58&utm_medium=email&utm_term=0_0   b2959cbb-8909d8c26c-305355025

Perfect, K.A. (1999, April). Rhyme and reason: poetry for the heart and head. The           Reading Teacher. V. 52, N. 7, P. 728. Newark, DE. International Reading         Association. Available at    https://www.jstor.org/stable/20204675?seq=1#page_scan_tab_contents.

By Laura Robb

“The kids who can’t read the grade level text listen to it so they are on the same page as students who can read the text. That’s the only way I can have every student experience the required text.” This explanation illustrates how a sixth-grade teacher coped with a one-novel per semester curriculum in her classes. None of the teacher’s three ELA sections had all students reading on grade level or above. In fact, in this school students in all ELA classes, excluding two gifted and talented classes, were reading from grades one to seven —a range that’s similar to many middle schools throughout the country. 

            Despite the fact that teachers have classroom libraries and students read self-selected books for fifteen minutes each day, students reading three or more years below grade level don’t make enough progress in one year to learn from social studies and science textbooks.  In fact, these developing readers, often feel discouraged throughout the day because they can’t read texts in content subjects and therefore, don’t fully participate in discussions.

            More than forty years ago in his article, “If They Don’t Read Much, How Are  They Ever Gonna Get Good?” Richard Allington affirmed my observations and beliefs for developing readers: to improve their fluency and comprehension as well as enlarge their vocabulary and background knowledge, they need to read engaging, authentic materials throughout the day (1977).  Middle school is, most likely, the last opportunity teachers have to meet the needs of developing readers and by eighth grade have most students reading on or above grade level.  

When ELA and content area classes have books that represent students’ interests, cultures, and reading levels, students can read all day, every day. Equally important, as they improve reading skill and successfully participate in class discussions, students develop self-confidence and the perseverance to improve their reading. In addition to volume in reading, developing readers benefit from short, guided practice lessons that can also improve reading skill.

The Why Behind Guided Practice

Guided practice is instructional reading using a poem or a short text, and you facilitate the lessons that can be completed in 15 to 30 minutes. If you’re unsure whether students have absorbed information from a series of mini-lessons, you can use guided practice lessons to gain insights into their level of understanding. Moreover, during mini-lessons, you might identify a group of students who require additional practice. By supporting students with guided practice lessons, you strengthen their fluency, word knowledge, writing about reading, increase their background knowledge, and improve their recall and comprehension. How students navigate short texts can inform your instructional decisions, as you can:

• Adjust instructional moves by re-teaching a lesson or tweaking students’ goals and workload.
• Present one or two additional guided practice lessons to provide students with the practice that can improve their reading skill.
• Confer with a student to deepen your understanding of his/her work.
• Support a student or small groups by asking them to explain their thinking and then think aloud to model your process and gradually release the responsibility to students.
• Pair-up students and ask them to support one another as they rethink and redo notebook writing.

By observing students during guided practice lessons, you can target interventions and bring all students to a level of understanding that allows them to experience success during instructional and independent reading.

Scheduling Guided Practice

Guided practice Lessons replace all or part of your instructional reading block over two to three consecutive days. You can reserve one week to present a lesson and use it to assess students, or you can set aside three to four weeks and use the guided practice lessons as interventions that boost students’ reading skill.  Guided practice does not occur all year long and daily formative assessments provide the data that informs decisions and schedule adjustments. I have developed two types of guided practice lessons for additional reading practice.

Two Types of Guided Practice Lessons That Work

Both types of lessons build vocabulary, recommend short videos to enlarge background knowledge, invite students to reread passages for different purposes, improve fluency, and provide practice with citing text evidence to infer and support a position.

Partner discussion lessons ask you to do more explicit teaching by modeling how to write notebook responses and use context to determine the meaning of words. Pairs collaborate to complete word work, discuss questions, and choose a prompt to write about in their notebooks. These lessons offer students practice in completing authentic reading tasks and rely on partners scaffolding tasks for each other.

Shared reading lessons invite students to solve reading challenges independently (Burkins and Yaris, 2018).  These lessons ask you to select texts that allow students to solve reading problems independently.  As you pose questions about a short text, you’ll drive students into the text to infer, explore themes, compare and contrast, and enlarge their vocabulary. It’s the students doing the work that develops stamina and confidence to enjoy independent reading at school and home.. 

After students have completed a guided practice lesson, take some time to reflect on your observations and students’ questions and responses.  Doing this can help you decide if all or some students need extra practice with a specific strategy or if you can move on to building students’ reading skill and independence.

Learn More About Guided Practice Lessons

Corwin Literacy has published a book by Laura Robb and David Harrison, Guided Practice For Reading Growth (2020) that includes partner discussion and shared reading lessons for twelve poems and twelve short texts written by David Harrison, so children practice using beautifully written and engaging texts. Below is a shared reading lesson from the book that you can use with your students.

Rain, She by David Harrison

Rain, she watch jungle.
Oh yes!
Rain, she slyly lift each leaf,

tiptoe down trunk of kapok tree,

make sure jungle nice and green.

2Rain, she know when jungle thirsty.

She bang on forest roof,
plunk rubber trees on their heads.

“Wake up! Drink!” she say.

Oh yes!
Rain, she plump up blossoms,
make them nice and fancy for thirsty bees.

3Rain, she not forget animals!
Oh no!
She drench fur of sullen jaguar,

make parrots shake their feathers,

drip off howler monkey’s nose.

Oh yes!

4And rain, she never never forget
to pelt and rattle thatch huts,
drip through cracks, trickle down walls.

“Ha!” she say. “This I do for you.
I keep river full, she happy,
I pour your squash a drink.”

5Then rain, she say,
“This I do for me.
I keep jungle nice and green.

Oh yes!”

SHARED READING OF THE POEM, “RAIN, SHE”

Purpose: To understand how personification and onomatopoeia enhance meaning and support visualizing

Lesson Materials:

• Copies for all students of “Rain, She”
• Students file folders for storing short texts; 4 x 6 index card for covering stanzas
• An anchor chart headed with the title of the poem. Post both sentences on anchor chart:  Personification is giving non-living things the ability to do what humans can do. David Harrison personifies rain by making it a woman who cares for the rainforest. 
• Make two columns on the anchor chart. Title left side “Strong Rain Verbs” and title right side, “What You Picture.”
• Video: “Rain Forests 101/National Geographic” (3:41) or another video about rain forests that’s appropriate for your students. https://youtu.be/3vijLre760w >

Part 1. Pre-Teach

Day 1: about 15-20 minutes

• Watch video “Rainforests 101/National Geographic.” (You might want to watch this twice).  Invite students to share all they remember. Discuss green canopy and ecosystems.

● Show photo of the Kapok tree. Have students look at the person compared to the size of the tree. Connect Kapok tree to the green canopy and point out the animals that live in the tree and connect that to ecosystems. A great online resource can be found here: https://www.rainforest-alliance.org/species/kapok-tree

• Ask students to head a page in their notebooks and explain what the “green canopy” of the rainforest is and why it’s important. Circulate and help students by answering questions or helping them frame responses.

Day 2: about 15-20 minutes

• Give students a copy of the poem and read the poem out loud. Have students

read silently.

• Read the sentences on the anchor chart for personification and personifies. Model how you use clues to figure out the meaning of personification. Invite students to explain personifies using sentence clues.
• Have students turn-and-talk and discuss the meaning of these words using context clues.
• Reread the title and ask students to explain how David Harrison personifies rain.
• Reread the poem and ask students to turn-and-talk and find other examples of rain being personified as a woman.
• Introduce onomatopoeia and explain that words that also create sounds are onomatopoeic words. As an example point to bang in the second stanza. Ask, What kind of noise does bang make?
• Have students find other words in the poem that also make sounds: plunk, shake, pelt, rattle

Part 2. Start the Shared Reading Lesson

Day 3: about 20-30 minutes

• Have students retrieve a copy of “Rain, She” and the 4 x 6 index card from their folders. Students use their index cards to cover up stanzas 3 to 5.
• Read stanzas 1 and 2 out loud. As students follow silently, have them spot words that show what “she” does.
• Have students turn-and-talk, share words, and write these on the left side of the anchor chart.

First and Second Stanzas

How do these words (watch, tiptoe, bang, plunk, drink, plump up) help you see and hear what she is doing? Tell students these are strong verbs because they paint pictures and create sounds.

What other words in stanzas one and two relate to water?

• Read aloud the rest of the poem and students read silently.

Third Stanza

What does she do for animals? What words show you this?

Which words are onomatopoeic words?

Fourth Stanza

How are people in the huts feeling about “rain, she?” Use details from the poem to support you ideas.

How does the rain help people?

Last Stanza

Why does rain say, “This I do for me.” How do these words link to what the poet is saying about rain in the rainforest?

• What affect does repeating “oh yes!” have on your feelings? On the poem’s meaning?
• Reread each stanza. Turn-and talk about the picture you see in your mind and the words and phrases that helped create these. Share with the class.

Wrap-Up: Notice what students did well: finding strong verbs, onomatopoeic words, visualizing, and offering text details.

Day 4:  about 15 minutes

Part 3. Teacher Assesses

Complete the Anchor Chart

Additions and adjustments come from the students. You’ll want to see what they can add. If they add little, then students are telling you they require more practice. You can redo part of the lesson or move on and slow down, checking frequently for understanding.

• Have students retrieve the poem from their folders.
• Ask students to choral read as you reread the poem.
• Review anchor chart notes and have students make adjustments and add ideas.
• Review green canopy, kapok tree, personification, and personify and connect to the poem.

Reflect and Intervene: On sticky notes, jot the names of students who didn’t participate or contribute ideas for the anchor chart. Work with individuals or a small group. Return to modeling and then invite students to respond.

References

Allington, Richard L. (1977). “If they don’t read much, how are they ever gonna get good?”Journal of Adult and Adolescent Literacy. 21(1), 57-61.

Burkins, Jan and Kim Yaris (2018). Who’s doing the work? How to say less so readers can do more. Portland, ME: Stenhouse.

Miller, Donalyn and Colby Sharp (2018). Game changer! Book access for all kids. New York, NY: Scholastic.

Robb, Laura (2020). Guided Practice for Reading Growth, Thousand Oaks, CA: Corwin Literacy.

By Laura Robb

Teachers, school leaders, parents, and children are facing many challenges after states shut down schools to keep everyone safe during the COVID-19 pandemic.

The saying, “Necessity is the mother of invention,” has transformed educators, parents, and students into the pioneers of remote learning for primary, intermediate, middle, and high school students. We’re figuring out how to help different age groups learn and what kinds of materials teachers and students need. Time and schedules are issues.  Materials are issues.  Figuring out the WHY, WHAT, and the HOW of presenting lessons remotely are challenges we’re just starting to understand. Moreover, all of these are stress-makers that affect the emotional well being of teachers, school leaders, children, and parents. Here are some tips for maintaining balance and wellness.

• Stay connected to family, friends, colleagues, and students through social media, email, texting, and telephone calls and you’ll be able to hold onto that physical sense of community you had to give up.
• Get exercise. Walk, work out with a video, ride your bike, and try to get fresh air every day.
• Set aside time to do something for yourself: read, watch a movie, listen to music, play an instrument, paint, keep a journal.
• Try to establish a teaching schedule and know that you will have to refine and adjust ideas. Remember, you are a modern-day explorer trying to develop remote learning that works and redefining what community means!

Keep records of what you tried: save teaching videos, keep notes on lessons that worked and those that need improvement, collect student feedback, debrief with your school team, department, and/or colleagues you usually converse with.  Know how much students, parents, and your community appreciate what you are doing! Then, it’s important to prepare for the possibility that school might close again and discuss and reflect on re-envisioning teaching and learning.

Re-Envisioning Teaching: Remote Learning

It might seem odd for me to ask you to think about what might happen in the future now.  Unfortunately, due to the rapid advance of COVID-19, we were all caught with little preparation time.  Once things return to normal, it’s human nature to forget the difficulties faced by many. However, by keeping good records from your remote learning experiences, you will be ready to work with your school’s leaders and staff to help them plan for the future.  What follows are fifteen areas that will most likely need rethinking.  Read them. Choose those that apply to you and jot some notes that you can share so when your district is ready to discuss these, you will have much to contribute.

Fifteen Aspects of Remote Learning to Explore

1. Preservice Education. Colleges and universities need to have remote learning classes for different subjects and age groups in order to prepare teachers to teach and support students online.
2. Remote Professional Learning for School Leaders and Staff. It’s beneficial for staff to meet, and pool what they’ve learned from their remote teaching experiences. Equally important is for school districts to develop remote learning online classes teachers can take as well as lead.
3. Create a School Pandemic & Epidemic Playbook. Develop “to do’s” for school leaders, teachers, staff, students, and parents so if you only have a short window prior to closing your school, everyone leaves with the materials they’ll need.
4. Broadband for All. Ensure that all of rural America and urban families living in poverty have access to the Internet.
5. Access and Equity. All students need to have access to computers and the Internet for equity and access to lessons to exist with remote learning.  District and school leaders need to explore ways to connect all school children to online learning.
6. Attendance Issues. Districts need to determine ways to require attendance to online lessons.  Some teachers tell me that only 1/3 to 1/2 of their students are joining lessons even though they have computers.
7. School E-Library. Consider having a part of the library’s books and magazines in e-book format, too. This can enable students to access books for independent reading and for research projects. Try forging a partnership with your community public library to gain access for students and teachers to their e-books.
8. Independent Reading. You’ll want to maintain students’ volume and interest in reading.  Teachers can send books home with children before schools close, but schools can also explore websites that have e-picture books and e-chapter books for all subjects.  With students’ help, teachers can find ways for students to share one to two books a month online with classmates.
9. Instructional Learning in All Subjects. Departments can collaborate to pool ideas and develop remote learning techniques that work when a teacher is not present.  Sharing what you find works with colleagues is important.
10. Conferring.  Discuss whether this can occur for middle and high school where teachers can have 70 or more students. What accommodations should be made? What will it look like for grades K to 5?
11. Interventions. These are important for all students who require assistance and some re-teaching. Will there be a daily time in the schedule? Will interventions be scheduled as needed?
12.  Teaching & Learning Schedules. Make these reasonable and consider that most parents are working remotely or on a job. How can flexibility be integrated into schedules?
13.  Television Classes. Look into state or county-run television stations to explore how these can be used for remote learning and reach larger audiences.
14.  Teachers Meet & Dialogue. Finding time each week to have a virtual meeting to discuss teaching techniques and students’ progress.
15.  School Leaders Provide Support. School leaders can explore ways to support teachers, students, and parents so all maintain a positive outlook.

Closing Thought

As you embark on this unchartered journey, let me share a reminder–care for your emotional wellbeing and your health, so you can support your students and colleagues, and also have time to connect with family and friends.  This is your new frontier! By collaborating and reflecting on your teaching and students’ learning, you will make a huge difference in their lives and construct the foundations of remote learning for future generations!

Laura has written many excellent books! Check out The Reading Intervention Toolkit

Follow Laura on Twitter @LRobbTeacher

Follow Evan onTwitter @ERobbPrincipal

Follow The Robb Review Facebook Page!

By Gary Armida

As an English Teacher, I believe that the single most important thing we can do for our students is to arm them with the skills to use their voice to make a difference in the world. It is difficult in today’s world where kids are constantly being told that they are too addicted to their technology, they are lazy, and they aren’t as good as the kids from previous generations. Of course, that’s a lie because every previous generation was told the same thing.

And, truthfully, the world needs them to not only believe in their voice, but to use it now.

All year, I have struggled to get my freshmen to believe that they are more than those stereotypes. They truly don’t believe they can make a difference. And, I feel that they are probably symbolic of the majority of kids their age.

January 6, 2020. This might have been the date all of that changed for our class. 

My plan was to launch another argument writing unit. We had previously gone through the basics, but this time I wanted them to realize the importance and why we’ve spent so much time going through argument writing techniques, why we stressed narrative writing as a way to argue, and why their words matter.

So, I decided to launch the unit without any tricks. I decided to do what I feel I do best and something that was impressed upon me by a former student, Phoenix Dalto, during his Tedx Talk; I decided I would start this one by just talking with them.

I didn’t know where this would lead, but I knew that if I could get them talking, we could tap into their passions.

“What are some things you wish you could change about school?”

That wasn’t the greatest opening and it showed. A couple of kids responded with the usual homework, start time, and “teachers who don’t care” answers. I did spend a couple of minutes talking those through, but I could tell we weren’t locked in yet.

After a couple of more tepid questions, I finally hit one, “What are some things that scare you?”

30 students, almost in unison, responded. 

“World War Three”

And, there it was. 30 kids, either speaking or nodding along with that fact that they are scared about what a war would mean for their world. After hearing what they knew–they actually knew quite a bit–and how they felt about the key players involved, I asked them where they got their information from.

“Twitter.”

“Instagram.”

“Snapchat.”

“Tik Tok.”

Truthfully, their news sources are a lot like mine. I get my news, leads to articles, and leads to news videos from Twitter. Most of their information comes from Instagram and Snapchat, but I was surprised about how many Freshmen have a Twitter account.

We had common ground. We find our news on social media. They didn’t believe that they were consuming news, but they knew quite a bit.

The next day, I asked them to take out their phones. We were going to take 20 minutes to go on our social media accounts. Their task was to find news items that interested them, scared them, made them angry. It could be in any area of interest. If they were into sports, find an issue in sports. The few students who didn’t have a phone were given a chromebook so they could go through their feeds. And, the couple of students who didn’t have social media were tasked with searching the web for their issues.

There was a lot of World War Three talk, but some interesting topics about equality, the Australia fires, global warming, the impeachment hearings, drug abuse, technology tracking, overuse of medication, sleep time and school performance, and poverty were being discussed as they scrolled through their accounts.

My point to them was that they were more aware of things than they are given credit for. Sure, their “dances” on Tik Tok take up a lot of time, but they are now, hopefully, aware that they are consumers of news.

Now, I have two other important tasks. First, I have to get them to see that they can make a difference in these issues. Second, I have to get them to see that they must consume news with a critical mind.

I decided to take on the first one right away. Again, it was a simple conversation, no gimmicks.

“You all realize that you can make an impact on these issues? Each one of you can add your voice to the fight. Each one of you can make a change. Writers are the ones who inspire change. Look at history. People are moved by words. Change happens with great words.”

One young lady responded. “Armida, nobody listens to us. We are just 9th graders.”

I was hoping to hear that.

“Ok, go on your social media account. Find some information about Emma Gonzalez and Greta Thunberg.”

Some of them had heard of Greta Thunberg, but most haven’t. After a few minutes, they were talking to each other.

“Trump is making fun of her.”

“Damn, she spoke in front of that many people.”

I heard Emma Gonzalez’s speech being played. 

“These are just two examples of people your age making an impact. Age doesn’t matter. It’s the message. It’s the belief that you can make a difference and have to make that difference. Do you really think their voices aren’t being heard? Politicians are talking about them, some good, some bad. But, they know who they are. Why can’t you do the same?”

The bell rang. They left the room, thinking about that.

For the next couple of days, we examined how arguments are made, specifically discussing the three appeals: ethos, pathos, and logos. It’s important for them to realize that writers and news organizations employ these techniques to move people or to get them to agree. One group activity crystallized it for them.

I divided the class into three. Each group had an appeal. Their task was to argue against me reversing my “no homework” policy and giving them homework every single night. They were given 20 minutes to come up with their argument and could use any resources they wanted. The logos group started doing research. The ethos group, to their credit, found the studies by Stanford University and Yale University. Each of those groups presented some compelling facts. The Pathos group did a skit. It was dramatic; kids were pretending to cry about how they had no life, no friends. It was all because of homework. The audience was hysterical. I was hysterical. The pathos group “won” best argument by a class vote.

Teachable moment time.

“So, the last group won even though they had no facts, no evidence? What’s that say to us as writers?”

“That we have to get people to listen to us before we give them the facts.”

Ok, maybe that wasn’t what I was truly hoping for, but they are in the right ballpark.

Another student.

“People like the drama. We didn’t even listen to the facts.”

Better.

“Ok, so how do we, as citizens of the world, use this?”

“We have to cut through the B.S. so we know what the issue really is.”

Microphone drop.

So, now we are ready to move forward. It won’t be easy to undo the stereotypes that are forced upon them. There will be days when the lesson falls flat or they aren’t as passionate. But, it is too important to not keep going. Our job is to give them those tools, the writing skills, and the confidence to go out in the world and make a difference.

In the coming weeks, we’ll continue to examine the news, to dissect it not only for content, but for how it’s constructed. We’ll find an issue we are passionate about. We are going to start a class blog so they can publish their words after going through all of our revision processes.

We are also going to learn that argument comes in many different forms, so they will use their social media to take their words and transform them to fit their social media feeds. And, most importantly, this group of freshmen will learn that their voice matters. Truthfully, the world needs them to realize it.

I believe they will.

Gary ArmidaEnglish Department CoordinatorFieldstone Middle School

Follow Gary on Twitter @GaryArmida

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