Educators and departments of education often believe that’s what’s new in learning will bring about significant change. I remember when filmstrip and film loop devices, as well as cassette players, were going to change education. In learning centers, my fifth-grade students watched filmstrips about history, science, or math; they listened to tapes of authors discussing their books.  For several years, classrooms had a television monitor, and part of the curriculum was students watching science experiments and listening to current events. In those moments, we believed this was cutting edge learning! WRONG!

Today, most classrooms have several computers and tablets and soon all students will have a laptop and/or a tablet.  Beware of using technology to continue practices that need to go: completing worksheets, answering questions at the end of each chapter of a book, or looking up a list of words on an online dictionary. Technology, used well can enhance learning and the digital natives you teach will appreciate Padlet, which allows them to respond to a discussion or story in real time, Storybird for digital storytelling, and an app to create digital portfolios.

Changes in education are abundant and continually happen. However, if we look back, we can see some of these past needs—must-haves—have faded away.  I’d be hard-pressed to find a filmstrip, film loop viewer, television, or a cassette tape player in any classroom today.  So now, it’s time to state one truth: needs and wants in education change, but there’s one exception: books.

        Too many educators in administrative positions in school districts and in state departments of education believe books are a want and not a need.  Instead of investing in books and teachers, too many schools purchase expensive reading programs on computers, believing that technology will transform students reading far below grade level into readers. Reading short selections on a computer, working on skills in isolation, and answering a set of multiple-choice questions doesn’t improve students’ reading skill. Looking for technology to make a quick fix can’t work as interacting with a computer doesn’t develop students’ ability to read long, complex texts, discuss texts, become active listeners, develop stamina, and analyze details. I’m in favor of using technology to enhance learning, not to replace interactions between students and a highly skilled teacher. All readers, especially those in grades 4 to 8 reading at a primary level need a skilled teacher and books.  And here are ten reasons why.  #booksandteachersmatter

Ten Reasons Why Books and Skilled Teachers Are Needs     

1. Skilled teachers love to learn. To become a skilled reading teacher means keeping abreast of the newest research and best practices. Skilled teachers read professional books and articles and join Twitter to develop a PLN (Personal Learning Network) so they can make a difference in the reading lives of children.
2. Reading is social. In addition to students interacting with the book’s author, they benefit from interacting with peers during guided reading, student-led literature circles, and book clubs. A need to share emotions, fears, and predictions are part of reading. Conversations bond readers to books because talk can affect their hearts and minds. To share ideas with others—to talk about books in a group or conference—not only improves recall and understanding but also invites readers to organize their ideas so listeners understand them.
3. Teachers provide face-to-face positive feedback. Working with small groups enables teachers to notice and spotlight interactions that work. Building on positive behaviors—“I notice how you found evidence to support your inference.” or “I noticed how well you used picture clues to figure out that word’s meaning,”–develops the self-confidence students need to continue to work hard.
4. Teachers form relationships that motivate students.  It’s impossible to form a meaningful relationship with a computer. But when teachers and students interact with books, opportunities abound to develop trust and experience humor in a nurturing environment.
5. Teachers make decisions to support readers.  Computers can grade multiple choice tests and cite the number right and the type of questions a student missed such as factual, main idea, inferring. A skilled teacher offers helpful feedback in the moment and then uses what students say and do to make decisions about interventions and next steps.
6. Teachers cultivate critical thinking and inferring. Whether working with a small group or one-on-one, teachers can model the process of inferring or using context clues to determine a word’s meaning.  By thinking aloud and modeling, teachers build students’ mental model of how a process works.
7. Books by the finest writers should be read.  When students read beautifully written, engaging books, they also learn about excellent writing and how specific genres work.
8. Volume matters. The number of books students read with the guidance of a teacher and the amount of independent reading they complete matters.  The more students read and practice, the more they improve and move forward.
9. Picture books develop visual literacy. Instead of reproducible books, learning to “read and interpret” outstanding photos or illustrations is frequently students’ introduction to art and critical thinking.  
10. Poetry cultivates fluency and comprehension. Follow Tim Rasinski’s advice and research and have students select a poem a week, practice saying the poem to a partner, and performing the poems to develop fluency and improve vocabulary and comprehension in an authentic way.         

Closing Thoughts

Remember, no replacement exists for a highly skilled teacher, and every child deserves one. Immersing students in books, giving them choice, and allowing them the time to learn how to self-select a book they can read for independent reading can make a huge difference in their progress and desire to read at home and school.

Books and skilled teachers make a difference in learning to read and developing a rich, personal reading life. Malala Yousafzai understood the power of the book, the pen, and an educated child when she said: “One child, one teacher, one book, one pen can change the world. Education is the only solution. Education first.” Malala Yousafzai  #booksandteachersmatter

Differentiating Reading Instruction By Laura Robb

Try These 5 Techniques that Ensure Students Do the Talking

We all know the statistics and, well, we talk right over them! Teachers do far too much talking in the course of the day, and students do far too little.  I don’t say that to teacher-bash, but rather as a way to invite you to hit the pause button on over explaining and over guiding, and try these techniques that lead to student-driven, amazing discussions about the content you teach.

1.     Model the mindsets. You gotta be all-in! Fully commit to the goal of your students controlling the learning conversations. Talk about and co-construct charts of the characteristics of productive dialogue. The key characteristic? Active listening, which means students concentrate on what the speaker is saying and push aside distracting thoughts. Active listeners learn to respect theories and conclusions that differ from theirs—as long as the text provides adequate support for the assertions.
2.     Remember, old habits die hard. Raising hands doesn’t cut it during student-led conversations, so you’ll have to wean students off of that tradition. Instead, students talk, one at a time, while peers listen and process ideas. Once a student finishes, a peer jumps into the conversation. Tempted to rescue the conversation? Hold your breath, count to 10, trust your students. With practice in whole group, small group and partner discussions, your students will thrive in a month or two.
3.     Equip students with an arsenal of question types. Model what it means to arrive at a guiding question, and then coach students to develop their own.  Guiding questions are those that can go broad and go deep, and align with students’ authentic curiosities about an issue.  For example, fourth graders were investigating self-selected books on natural disasters. Students agreed on this guiding question: How do natural disasters affect people’s lives? Even though each student read a different book, the guiding question was broad enough to stimulate rich conversations. Interpretive questions are also open-ended and have more than one answer. Have students consider verbs that will help them pose interpretive questions: analyze, examine, compare and contrast, evaluate, show, classify, I hand out lists of prompts to keep discussion flowing to each student, so they have this concrete support at first.
4.     Find your new niche. During discussions, especially as students are just getting the hang of purposeful dialogue, listen from the sidelines and every once in a while, and only when absolutely necessary, pose a clarifying question—one that nudges students to get back on course or go deeper in some way. For example, maybe the question gets a student to say more, define a term, go back to the text, or think about whether he or she still believes his position. Author Renee Houser reminds us that a lot of this nudging can be done without our even talking! Think about non-verbal gestures and facial expressions that might work.
5.     Be a social engineer. One of the many benefits of student-led discussions is that they allow you to listen and look at your students in new ways. Ask such questions as: Who is doing most of the talking? Which kids are obsessed with the same authors or topics? Who is particularly adept at active listening or posing questions? Which students have natural rapport? Who might I pair that may be in different groups of friends, but I now see will be great talk partners?

Laura Robb is a renowned literacy author, whose most recent book is Read, Talk, Write: 35 Lessons That Teach Students to Analyze Fiction and Nonfiction.

By Laura Robb

The practice of asking questions to drive students’ learning is alive and well in schools today. But here’s the rub! Too often questioning is recitation where the teacher prompts students for the “one right answer” to questions she has developed.  Moreover, at school, who should be posing the questions? To foster independent readers and thinkers, students need to be in the driver’s seat when it comes to asking and answering questions.  If teachers always control questioning, then student learning is greatly diminished because students aren’t discussing ideas that have relevance to them.  

On the other hand, when quality, student-generated questions define a class, meaningful learning takes place—learning that defines reading, research, collaborative projects, literary discussions, and units of study. As students wonder and question and use their questions to learn, they develop the ability to raise questions while reading. This keeps them focused on a text, but also motivates them to read on to find answers to their queries. 

When Do Students Ask Questions?  

Opportunities abound throughout the day for students to pose questions. Here are a few:

Mini-lessons:  Invite students to jot down questions they have while you present a mini-lesson and ask these when you’ve finished. Such questions clarify students’ understanding and help them absorb new ideas. However, students’ questions can offer you insights into what they do and don’t understand. With this information, you can design interventions based on observed needs.

A daily teacher read aloud:  Frequently, students pose questions about a conflict, theme, or how events connect. Reserving a few minutes for students to ask their questions shows them how much you value their thinking and provides you with insights into ways students react to the text.

Setting goals: Help students understand that raising two questions such as, Is there a strategy I should work on next? What do I have to do to reach this goal?” can improve their learning. Such questions develop independence because they place students in charge of decision-making.

Self-evaluation: Questions can also drive students’ evaluation of their work over time, such as reviewing several journal entries in their notebooks, the entire process for a piece of writing, several quizzes and test grades, or their participation in collaborative projects. Here’s a sampling of questions that students might ask: Did I improve? How do I know I made progress? Is there something I did that stands out? Did I struggle? How? What did I do to cope with my struggles?

A result of self-evaluative questions is the development of metacognition, the ability of students to reflect on their written work, collaborations, and learning to improve critical thinking and problem-solving.

Close reading: Isabel Beck and Margaret G. McKeown’s strategy, questioning the author, provides students with questions for fiction and nonfiction texts. The questions help students link words, phrases, and ideas to construct meaning from a passage they find challenging. While close reading, the student might ask: Why did the author use that word or phrase? How does the word or phrase connect to the information in the sentence? To information that came before the sentence? How does the paragraph or section connect to the title? The theme or main idea? The previous paragraph or section?  These questions can develop independence in unpacking meaning from challenging passages in texts.

Inquiry-based learning: Before and during a unit of study, students generate questions that drive their reading, investigations, experiments, and discussions. Researchers like Jeffrey Wilhelm and Michael Smith, show that when student-generated questions steer the direction studies take, they are more engaged and motivated to learn. Inquiry fosters collaborating, recalling and understanding information, analyzing texts, and meeting deadlines. Students enjoy the process far more than when teachers direct and control students’ learning.

Reading texts: Teach students how to pose open-ended, interpretive questions and invite them to work as a team when reading an assigned or self-selected text. Open-ended questions have two or more answers. Verbs such as, why, how, evaluate, explain, compare/contrast can signal interpretive questions. Returning to a text to write open-ended questions deepens students’ knowledge of plot and information, but it also raises the level of discussions to analytical and critical thinking. In addition, discussing their own questions motivates and engages students in the reading and in exchanging ideas.

The Teacher’s Role

Providing a model for students, one that shows them how to raise questions during diverse learning experiences is a primary job of teachers. Becoming a skilled questioner won’t happen quickly for most students. However, turning the questioning process over to students gives them opportunities to practice and to make their studies more meaningful. Equally important, when students are in charge of questioning, they develop independence in learning.

Meaningful reflection by teachers and students –reflection that considers improving questioning techniques and gathering feedback can create a learning environment that values students’ questions as a path to progress in all subjects.

Laura Robb’s most recent book is Read, Talk, Write 35 Lessons That Teach Students to Analyze Fiction and Nonfiction.

By Steven Kellogg

         In a celebrated poem by Robert Frost called “A Tuft of Flowers,” a worker mentally sends a message to a colleague who has labored earlier that day on the same task with which the narrator is concerned, and he says: “Men work together, I told him from the heart, whether they work together or apart.”  And that’s the way we work, as librarians and teachers of reading on one hand, and authors and illustrators on the other. We are colleagues and co-conspirators who put our energies separately, but together, into the very important and exciting work of turning kids on to books, giving them a passion for their written and spoken language, and opening them up to its vast communicative and artistic range.  

        As creative partners, we depend upon each other to do our work with care and sensitivity. You rightfully expect authors and illustrators to put into your hands’ books whose words and images can be effective tools for reaching, inspiring, and moving the children in your care. Happily, that expectation is being validated by a surge of interest in literature-based reading programs throughout the country. It seems to be fueled by the growing conviction that children don’t become particularly excited about basal readers, workbooks, ditto sheets, nor do they file into libraries to check them out. They do become excited about stories and pictures that capture their imaginations. Like all of us, they are drawn to works that communicate in the language of feeling, which is the way that elusive thing called art so effectively reaches us. And the communicative power of art, as it is utilized in its varied means of creative expression (from architecture to painting to literature to drama), has been a compelling outlet for every culture and civilization since man’s beginnings.

        An increased emphasis on the role of children’s literature is a challenge to librarians and teachers as well as to their partners in publishing. Your role in our collaboration is to share the books with care, enthusiasm, creativity, and love so they have the maximum opportunity to reach their audience as effectively as possible. Although authors, illustrators, editors, art directors, designers, and printers all work together to produce a book, it’s not until the book is actually read and looked at that it really comes to life. Until that moment, it’s a darkened theater—a tableau frozen on a stage in a vacant auditorium. But when the teacher, librarian, parent, or friend opens the cover and shares the book with a child, the theater is illuminated, and, as the pages turn, the curtain rises and falls on successive acts and scenes. Through that reading and sharing the words come to life, and the illustrations move and flow with action, feeling, and vitality.

        Of course, each book must stand on its own merits and earn applause and approval from whoever experiences it. But if you bring a child and a book together with a sensitive understanding of that particular book—if you recommend and share and read the book aloud as if you were a part of its creative life—then that book has a much greater chance of being special to that child. And you will be remembered as being part of that book, and part of that gift, as surely as if your name were engraved on the jacket and the title page: a colleague, a co-conspirator, a creative partner.

        I have loved picture books since my childhood, and I recall with deep gratitude the relatives who were sensitive enough to give me books as gifts and to share both the books and themselves in magical read-aloud sessions. I had a passion for drawing as a child, and I used to make up my own tales and illustrate them for my two younger sisters, Patti and Martha, in a ritual we called “telling stories on paper.” On a rainy Saturday afternoon, or just before bed, I would sit between them with a stack of paper on my lap and a pencil in my hand, and I’d spin some kind of a bizarre yarn while scribbling illustrations to accompany the narrative, passing them first to one of the girls and then to the other. I found the process of “telling stories on paper” enormously compelling, and during those early days, before the blessings of editorial intercession were available to me, I would rattle onward with interminable enthusiasm until my dutifully attentive sisters were each buried under piles of pictures or comatose with boredom.

        My childhood fascination with illustrated storytelling persisted into young adulthood and shortly after graduating from college I began sending manuscripts with accompanying sketches to major publishing houses. When I was offered a contract to illustrate George Mendoza’s stories “The Hunter,” “The Snake,” and “The Hairy Toe” in a forty-eight-page book entitled GWOT! Horribly Funny Hairticklers, I was ecstatic.

        I had a wonderful time putting the book together, and I sent copies off to various friends, particularly those who had encouraged me to make the leap into publishing. Among these was a couple who lived in New York with their precocious but rather shy four-year-old-daughter named Helen. They were concerned that exposure to stories like “The Hunter,” “The Snake,” and “The Hairy Toe” that were assembled in a book entitles GWOT! might prove to be a traumatizing experience for her. But because I had illustrated the book and inscribed it to their Helen, they dutifully read it to her at bedtime. Several nights later, my wife and I were invited to their apartment for dinner, and in response to my knock the door swung open and there stood Helen in a ruffled party dress. For a moment she remained poised with a sweet hostess smile on her face. Suddenly, it transformed itself into a jubilant mischievous leer, and she screeched “GWOT! I Love You!” It was obvious that the book had not traumatized her in the least, and indeed her parents, to their ultimate despair had to reread the stories night after dreary night for many, many months.

         Helen and her family moved to the West Coast, but I continued to send her my books as they were published. A few years ago, the second oldest of my stepdaughters was married and Helen, now a young woman and an established television actress, flew east with her parents to attend the wedding. I had not seen her in quite a few years, and, as the deception in our backyard was nearing its end, Helen and I strolled along the edge of the woods together, and she brought me up-to-date on all that had been happening in her life. And of my books, which are still on her bedside shelf. She told me that whenever she opens them, the words and the pictures are a magic carpet to her childhood. She feels that she is once again a little girl snuggled against her parents as they read the stories aloud, and she happily loses herself in the illustrations that were once spread across their laps.

        In reflecting on Helen’s involvement with her books, I realize I had known something intuitively when beginning my career that I am convinced, thirty years later, is indeed true. Too often, I think, we define children as a bland herd, and we do not adequately recognize the complicated variety of personalities that they, as a group, represent.

        There should be made available to kids, as well as to adults, a delicious smorgasbord selection of books that deal with many facets of human experience. We should provide books that present an opportunity to explore a great range of emotions, exposing children to stories and images that inspire laughter, tears, shivery-spooky feelings, flashes of glowing, loving warmth, and insight. They should be acquainted with books that contain the creative approaches of many different authors and illustrators so that each young reader can find the ones that speak to him or her with particular clarity and poignance.

        Helen’s recollection of the way in which her parents shared books with her is also revealing. I believe that the picture book’s finest hour occurs during a read-aloud session when the book is bridging two laps and uniting the reader and the audience. The reading adult’s voice unlocks the magic of the story, inviting the child to enter the lives of the characters and to explore the landscapes that are delineated in the illustrations. There is a special warm and personal quality to the participation in that shared experience that is not duplicated while seated in front of a television set in a darkened room, and it is important for all of us who love children and books to continually express the value of reading aloud.

Check out Steven Kellogg’s website

Don’t Miss These All-time Favorites by Steven Kellogg:

The Island of the Skog

Paul Bunyon

Best Friends

The Mysterious Tadpole

Pinkerton Behave!

Jack and the Beanstalk