By Gary Armida

As an English Teacher, I believe that the single most important thing we can do for our students is to arm them with the skills to use their voice to make a difference in the world. It is difficult in today’s world where kids are constantly being told that they are too addicted to their technology, they are lazy, and they aren’t as good as the kids from previous generations. Of course, that’s a lie because every previous generation was told the same thing.

And, truthfully, the world needs them to not only believe in their voice, but to use it now.

All year, I have struggled to get my freshmen to believe that they are more than those stereotypes. They truly don’t believe they can make a difference. And, I feel that they are probably symbolic of the majority of kids their age.

January 6, 2020. This might have been the date all of that changed for our class. 

My plan was to launch another argument writing unit. We had previously gone through the basics, but this time I wanted them to realize the importance and why we’ve spent so much time going through argument writing techniques, why we stressed narrative writing as a way to argue, and why their words matter.

So, I decided to launch the unit without any tricks. I decided to do what I feel I do best and something that was impressed upon me by a former student, Phoenix Dalto, during his Tedx Talk; I decided I would start this one by just talking with them.

I didn’t know where this would lead, but I knew that if I could get them talking, we could tap into their passions.

“What are some things you wish you could change about school?”

That wasn’t the greatest opening and it showed. A couple of kids responded with the usual homework, start time, and “teachers who don’t care” answers. I did spend a couple of minutes talking those through, but I could tell we weren’t locked in yet.

After a couple of more tepid questions, I finally hit one, “What are some things that scare you?”

30 students, almost in unison, responded. 

“World War Three”

And, there it was. 30 kids, either speaking or nodding along with that fact that they are scared about what a war would mean for their world. After hearing what they knew–they actually knew quite a bit–and how they felt about the key players involved, I asked them where they got their information from.

“Twitter.”

“Instagram.”

“Snapchat.”

“Tik Tok.”

Truthfully, their news sources are a lot like mine. I get my news, leads to articles, and leads to news videos from Twitter. Most of their information comes from Instagram and Snapchat, but I was surprised about how many Freshmen have a Twitter account.

We had common ground. We find our news on social media. They didn’t believe that they were consuming news, but they knew quite a bit.

The next day, I asked them to take out their phones. We were going to take 20 minutes to go on our social media accounts. Their task was to find news items that interested them, scared them, made them angry. It could be in any area of interest. If they were into sports, find an issue in sports. The few students who didn’t have a phone were given a chromebook so they could go through their feeds. And, the couple of students who didn’t have social media were tasked with searching the web for their issues.

There was a lot of World War Three talk, but some interesting topics about equality, the Australia fires, global warming, the impeachment hearings, drug abuse, technology tracking, overuse of medication, sleep time and school performance, and poverty were being discussed as they scrolled through their accounts.

My point to them was that they were more aware of things than they are given credit for. Sure, their “dances” on Tik Tok take up a lot of time, but they are now, hopefully, aware that they are consumers of news.

Now, I have two other important tasks. First, I have to get them to see that they can make a difference in these issues. Second, I have to get them to see that they must consume news with a critical mind.

I decided to take on the first one right away. Again, it was a simple conversation, no gimmicks.

“You all realize that you can make an impact on these issues? Each one of you can add your voice to the fight. Each one of you can make a change. Writers are the ones who inspire change. Look at history. People are moved by words. Change happens with great words.”

One young lady responded. “Armida, nobody listens to us. We are just 9th graders.”

I was hoping to hear that.

“Ok, go on your social media account. Find some information about Emma Gonzalez and Greta Thunberg.”

Some of them had heard of Greta Thunberg, but most haven’t. After a few minutes, they were talking to each other.

“Trump is making fun of her.”

“Damn, she spoke in front of that many people.”

I heard Emma Gonzalez’s speech being played. 

“These are just two examples of people your age making an impact. Age doesn’t matter. It’s the message. It’s the belief that you can make a difference and have to make that difference. Do you really think their voices aren’t being heard? Politicians are talking about them, some good, some bad. But, they know who they are. Why can’t you do the same?”

The bell rang. They left the room, thinking about that.

For the next couple of days, we examined how arguments are made, specifically discussing the three appeals: ethos, pathos, and logos. It’s important for them to realize that writers and news organizations employ these techniques to move people or to get them to agree. One group activity crystallized it for them.

I divided the class into three. Each group had an appeal. Their task was to argue against me reversing my “no homework” policy and giving them homework every single night. They were given 20 minutes to come up with their argument and could use any resources they wanted. The logos group started doing research. The ethos group, to their credit, found the studies by Stanford University and Yale University. Each of those groups presented some compelling facts. The Pathos group did a skit. It was dramatic; kids were pretending to cry about how they had no life, no friends. It was all because of homework. The audience was hysterical. I was hysterical. The pathos group “won” best argument by a class vote.

Teachable moment time.

“So, the last group won even though they had no facts, no evidence? What’s that say to us as writers?”

“That we have to get people to listen to us before we give them the facts.”

Ok, maybe that wasn’t what I was truly hoping for, but they are in the right ballpark.

Another student.

“People like the drama. We didn’t even listen to the facts.”

Better.

“Ok, so how do we, as citizens of the world, use this?”

“We have to cut through the B.S. so we know what the issue really is.”

Microphone drop.

So, now we are ready to move forward. It won’t be easy to undo the stereotypes that are forced upon them. There will be days when the lesson falls flat or they aren’t as passionate. But, it is too important to not keep going. Our job is to give them those tools, the writing skills, and the confidence to go out in the world and make a difference.

In the coming weeks, we’ll continue to examine the news, to dissect it not only for content, but for how it’s constructed. We’ll find an issue we are passionate about. We are going to start a class blog so they can publish their words after going through all of our revision processes.

We are also going to learn that argument comes in many different forms, so they will use their social media to take their words and transform them to fit their social media feeds. And, most importantly, this group of freshmen will learn that their voice matters. Truthfully, the world needs them to realize it.

I believe they will.

Gary ArmidaEnglish Department CoordinatorFieldstone Middle School

Follow Gary on Twitter @GaryArmida

Gary partners with Dr. Kris Felicello to write The Teacher and the Admin blog. We encourage you to sign up for great reading!

Gary and Kris have also written a book, The Teacher and the Admin

Timothy Rasinski, Ph.D. Kent State University

“It is the supreme art of the teacher to awaken joy in creative expression and knowledge.”

Albert Einstein

“I would teach children music, physics, and philosophy; but most importantly music, for the patterns in music and all the arts are the keys to learning.”

Plato

“Art has the means of keeping alive the sense of purposes that outrun evidence and of meanings that transcend habit.”

John Dewey

            The impetus for this blog comes from something I have been thinking about for a number of years. I hope that this may be the impetus for more of us sharing our thoughts about the importance of the art as well as the science of teaching reading.

I have a confession to make.  My undergraduate degree is in economics. In my mid-twenties, after encouragement from many of my friends, I decided to become a teacher. To be honest, I thought becoming a teacher would be rather easy.  After all, I went through school and was reasonably successful.  I should know how it’s done.

            Well, I was in for a bit of a shock. Teaching is not easy at all. It is essential for a democratic and productive society, it is enormously satisfying and joyful, but it is definitely not easy.   My respect for teaching and teachers grew exponentially during my first few years of teaching (and it continues to grow). Teaching is one of the most challenging professions into which a person can enter. And, I think a major reason for the challenge of teaching in general, and the teaching of reading in particular, is that effective reading instruction requires teachers to apply what has been learned through scientific study of reading and reading instruction.    However, effective instruction in reading also requires teachers to be artists. Teachers have to be both – artists and scientists.

            Currently, there is a growing recognition of the importance of the science of reading (SOR) for reading instruction. The science of reading directs that successful instruction in reading includes systematic and explicit instruction in the key scientifically determined reading competencies – phonics and phonemic awareness, vocabulary, reading fluency, and comprehension.  

            Publishers and curricula developers have used these scientific competencies to develop reading curricula and materials that are, in many cases, largely scripted.  That is, teachers are directed to implement the program nearly word for word as is stated in the teacher’s guide.   It’s called fidelity. Among the problems that come with such programs are that they do not necessarily meet the individual needs of many students, and teachers can become alienated from their reading instruction and removed from important instructional decision-making in their classrooms.  Moreover, there is a lack of compelling scientific evidence that such scripted and scientific program lead to generalized improvements in reading for students. Note that reading achievement in the United States has barely budged since the report of the National Reading Panel, nearly 20 years ago,  that gave credence to the science of reading. Reading First, a national program for bringing scientific approaches into primary grade reading instruction, had little impact on student reading achievement.  

            Why have we not seen the progress that was anticipated by the science of reading?   I think that a significant concern is that we have not embraced the idea that effective teaching reading is an art as well as a science, and that teachers need to be artists as well as scientists. We need to allow teachers the creative freedom to develop and implement scientifically based reading curriculum that is engaging, playful, authentic, esthetic, and effective. In effect, I propose that we provide teachers with scientifically validated end-of-year benchmarks in phonics, vocabulary, fluency, and comprehension and then give teachers the creative license and professional support to achieve those benchmarks.   

Teachers will still teach phonics, but instead of exclusive use of highly scripted and monotonous tasks, drills, and worksheets that often accompany such instruction, students might be regularly engaged in guided word play and not realize that although they are having fun with words, they are also developing mastery over words. For example, have you noticed all the games we play for fun as adults that are, in essence, word games?  And have you noticed that if you are a regular player of Scrabble or Words with Friends or Boggle you generally improve in your playing over time? Improving your game is evidence of learning.   If adults love word games wouldn’t children?   And yet, in many classrooms games and play are often locked away or reserved only for when the “work” is done.   

Several years ago, I developed a game-like word activity (based on the work of Pat Cunningham and Isabel Beck) called word ladders. In a word ladder students make a series of words by manipulating each previous word (e.g. start with “cat” and change one letter to make a large mouse or rodent – “rat”;  change one letter in ‘rat” to make something a baseball player uses when at the plate – “bat,” and so on). To make it into a game the first and last words in each word ladder are related in some way – base to ball, dog to cat. Although children are playing a game in which they try to determine each new word on the ladder from the clues given, the activity itself requires students to consider deeply how words are encoded, decoded, and have meaning.

For another example, consider reading fluency, also a scientifically validated reading competency. Scientific research tells us that through rereadings (repeated readings) of texts students develop fluency over the passage practiced but also greater fluency (and comprehension) over new passages they have never before seen. That’s the science of fluency.  The art of fluency take this scientific notion and asks, “how do we get students to read a text repeatedly in authentic and meaningful ways?”   One artful answer to that question is found in the notion of theater and performance.   If students know that they will be asked to perform a poem, or a song, or a script for an audience they have an authentic and motivating reason for rereadings, or as they say in the theater – rehearsal. Moreover, not only does rehearsal of this sort lead to automatic recognition of the words in the passage, it also encourages students to read with an expression that reflects the meaning of the text – both are part of the science of reading fluency.

Art and science are not mutually exclusive endeavors.   Indeed, scientists generally have a great appreciation for art; and artists often take inspiration from concepts of science.  The great challenge is for teachers of reading, much like practitioners of medicine, to find ways to make the science of reading come to life in artful and authentic ways in their classrooms.   And the challenge for us who support teachers is to grant permission and provide professional support and encouragement that allows teachers to become the instructional scientists and artists that will create a revolution in literacy achievement.

You can find resources for teaching accurate and automatic word recognition (i.e. fluency) at Tim’s own website – www.timrasinski.com

Daily Word Ladders by Timothy Rasinski

Create positive change with TeamMakers by Laura Robb and Evan Robb

Follow Tim on Twitter @TimRasinski1

By Evan Robb

To develop students’ reading proficiency and motivation to read, we need to make daily teacher read alouds, instructional and independent reading, and writing about reading the core of ELA classes. 

There is no quick fix for the reading challenges faced by many schools, but we live in a time when the allure of a quick fix can be very strong. Many educators look for a new program to create a pathway to improvement–a canned program. I have not seen one work.  My experience is administrators want to “fix” things, to check the box that something is being done. This thinking does not work; it will not make students into readers; it devalues the teacher as a professional. I have never seen a program create a love of reading.  

Balanced literacy focusing on students reading actual books and short stories should be the foundation of a school’s reading curriculum.  Does your school have a balanced reading and writing curriculum reflected in each ELA classroom? If you are an administrator are your words supporting balanced literacy or creating a roadblock to change? 

Read over my five indicators that are present in classrooms where balanced literacy is part of the reading culture. If you are a teacher, compare my five indicators to your practice. If you are an administrator, these indicators will give you a framework to assess where your school is and to consider possible next steps.

1. Teacher Reads Aloud: Yes, reading aloud is perfectly fine!  Teachers reading aloud is a great way to introduce students to different authors and genres and model how the teacher thinks about texts. Choose materials students will enjoy! This practice goes south when teachers read out loud for a longer period of time as this diminishes the opportunity for other reading instruction.  Tip: The read-aloud should be 10 – 15 minutes of a class. 
2. Instructional Reading: Teach students to comprehend and think deeply about instructional materials to enlarge their vocabulary, enlarge their prior knowledge, and develop understandings of complex concepts.  Great instructional reading teaches skills and strategies at a student’s instructional level. Tip: Whole class novels are not a great way to go. All students rarely read at the same level. 
3. Independent Reading: In addition to instructional reading, students should read thirty to fifty books a year–books they can read with 99% to 100% accuracy. Like sports, to improve reading, students practice skills and build automaticity in applying specific strategies. When students practice with feedback and support, they get better!  It is perfectly fine and beneficial to students to set aside fifteen to twenty minutes of independent reading at school. Reading in school is not a poor use of teachers’ instructional time as long as it is a balanced part of the learning experience for students. It’s important for administrators to understand that teachers are not wasting instructional time when students are silently reading. Tip: Independent reading should always be a homework assignment for students; I caution against getting hung up on how to hold students accountable. Trust students and know that some will not read. However, don’t abandon a practice that improves reading skills because of a few students.
4. Choice: Choice is empowering for students and adults too! Give students choice in independent reading materials and as much as possible with instructional texts. Choice results in motivation and engagement; students can explore their passions and interests. Tip: Students have more choices when schools use funds to purchase classroom libraries and more books for the school library.
5. Discourse: Make learning interactive, help students clarify their hunches, and provide opportunities for thinking and discussing texts with a partner and in small groups. Tip: In our high tech age, conversing about books will always be valued. 

These five ways to improve literacy provide a balanced framework for research-based practices that can help students develop positive attitudes toward reading.  A balanced literacy framework develops reading skills and strategies leading to reading stamina, critical thinking, proficiency and yes, a love of reading!

Follow me on Facebook! 

Let’s connect on Linkedin

Check out my book, The Ten-Minute Principal, Corwin Press

Also, Laura and I have a podcast channel, The Robb Review Podcast!

by Marlena Gross-Taylor

As educators, we all endeavor to inspire. We want to inspire our students, fellow teachers and if in a leadership position, those that follow us. But have you ever considered the definition of the word inspire, particularly the Latin translation of insperitae, “to breathe”? If we as educators are to inspire and encourage creativity in others, then it’s imperative we prioritize our white space to recharge. 

So how do you carve out time for whitespace as an educator?

5 Ways to Take a Breath…

Reflection

Consider your daily routines so far this school year.  When are you able to have a moment to yourself without any obligations?  Maybe that’s the car ride to and from school or even those few moments before you start your day.  Choose a time that’s best for you and commit to reflecting on the present.  This is not a time to mentally run through your ever-growing to-do list, but rather reflect on what you’re grateful for or what inspires you each day? 

Planning

Just as we have to be intentional with embedding our standards in our lesson plans, we must be just as vigilant in planning white space.  A full calendar doesn’t necessarily reflect productivity.  Set aside time on your calendar to relax, daydream, and grab a cup of coffee with friends.  If you’re worried about those menial tasks that consume precious chunks of your time, like cleaning your house or bathing the dog, consider outsourcing those tasks in order to free up time for yourself.

Family

As educators, many times our families take the back seat to our students, school and community.  Early in my career, I had to live with the guilt of missing a few of my boys’ milestones because I was teaching and/or leading. Set clear boundaries between work and family and plan around those milestones even if it meant taking time off to attend a field trip or sporting event. 

Passions                             

I absolutely LOVE being an educator and accept the full responsibility of impacting children’s’ lives; however, teaching is not my only passion.  I literally turn into Betty White in the Snickers commercial if I go too long without curling in my favorite chair to read or tucked away in my office to write.  What is your passion? Better yet, how do you make time to engage in your passion?  Through our passions, we can deepen our connection with students.

White Space provides clarity allowing us to refocus on our purpose: to inspire and ignite the fire of the next generation and hopefully modeling the importance of taking a breath.

Marlena Gross-Taylor is Chief Academic Officer for Douglas County School District in Castle Rock, CO. She is also a consultant, founder of EduGladiators, and a blogger.