By Timothy Rasinski and Lois Letchford

In a previous posting on the Robb Review (9.12.2020),  I (Tim) described how much poetry has to offer for the teaching of reading.  It is an engaging, joyous reading, and it offers opportunities to develop essential reading competencies in students.   However, one of the most significant attributes of poetry is its ability to improve the reading outcomes of children identified as dyslexic or learning disabled and, indeed all children who struggle to become proficient readers.  

The brevity of most poetry for children as well as the rhythmical, melodic, and rhyming patterns in poetry (and songs) allow even the most struggling of readers to achieve success.    Research tells us that human beings have what appears to be an innate ability to detect patterns in our environment.   Seeing patterns allows us to better negotiate our worlds.    The patterns in poetry allow children to negotiate their language worlds.   All of us know young children who have learned to recite the words to a familiar rhyme or song.  While memorizing the lines of poetry and songs is not reading per se, giving children visual access to the written words in those poems and songs can be a beginning step to reading.    

Several years ago, I met an amazing woman named Lois Letchford.  She had just written a book entitled Reversed which described the journey that she and her dyslexic son Nicholas who went from “learning disabled” to a skilled reader, and highly successful adult. Writing and using poetry was one major transformative component of our literacy story.   

Lois’ Story:

In 1994, my son Nicholas went into first grade. He failed. Throughout this year, he bit his fingernails, wet his pants, and stared into space. At the end of the year, standardized testing sealed expectations revealing he could read ten words, displayed no strengths, and had a “low IQ.”  

I had the opportunity to homeschool Nicholas for six short months, hoping for a turn-around. Armed with a book series labeled, “Success for All,” I too, failed. Stress levels skyrocketed, and progress remained at zero. 

It was my mother-in-law who came to my rescue, offering simple yet profound advice: “Lois, put away what isn’t working and make learning fun.” Her words compelled me to reevaluate my approach to this daunting challenge. But where should I begin? Where did Nicholas excel? Her advice encouraged me to rethink and redesign my approach. But what could I do?  What could Nicholas do? 

I recalled Nicholas and I previously working with spelling patterns. He could do that. He recognized the patterns and learned all those words. How could I use this strength? 

I thought about rhyming words and how to use them. Could I write a short poem to help Nicholas? When desperation reigns, one can only try to find solutions. 

I wrote one simple poem and read it to Nicholas. We read it together and found the rhyming words. That first poem titled A Mug of a Bug, was a huge success. He relaxed and recalled it. He was engaged, we talked about the meaning, found the rhyming words, and recited the poem.  

One poem led to the next and the next. Each poem added to his knowledge, enjoyment, and purpose for reading and writing. My first poems focused on words with short vowel sounds. Poems then include our travel experiences. One poem was about visits to the thousand-year-old church of St. Nicholas. The memory I treasure is one of Nicholas running ahead of his Grandma to visit it, shouting, “Nana, Nana! They named this church after me!” Connections were growing.

Nicholas’s reading growth appeared slow, each poem seemingly added just a drop into the ocean of required literacy knowledge. Yet, in a poem using the “oo”  words as in ‘cook, look, and book,’ I wrote about the last of the great explorers, Captain James Cook. My poem: 

Captain Cook had a notion there was a gap in the map in the great big ocean.

He took a look, without the help of any book, hoping to find a quiet little nook. 

Captain Cook had a notion there was a gap in the map in the great big ocean,

He took a long look, and filled a whole book which caused the whole world to look! 

Poetry is simple. Ideas embedded in poetry were extraordinary. The exploration of this poem tapped into Nicholas’ curiosity, resulting in his asking questions I could not answer.

“Who came before Captain Cook?”  was his first question.  

“Oh,” I replied, “that’s easy. That was Christopher Columbus.”

“And who came before Columbus?” He shot back.

And I was stunned. It was not a question I had ever considered. His question turned me into a curiosity-driven researcher determined to find answers to his questions. 

Though Nicholas’s knowledge of letters and sounds had grown slowly, his intellectual curiosity was boundless. 

Why was poetry such a powerful tool for Nicholas’s learning? 

Prof Sansislas Deheane’s book How We Learn has a chapter on the four pillars of learning. These pillars are Attention, Active Engagement, Error Feedback, and finally, Consolidation. 

Every day, I had Nicholas’s attention. He was actively engaged in listening, reading, and responding to details of all poems. Poetry was building his knowledge base, providing a purpose for using those challenging letters and sounds and building an understanding of patterns in language. Finally, the consolidation through repetition by reading, writing, and reciting these poems aided growth. 

It took almost 25 years to appreciate the impact of this foundational knowledge. In 2018, Nicholas defied the odds and completed his PhD in Applied Mathematics from Oxford University. 

As for me, my book Reversed: A Memoir tells the longer literacy journey from failure to academic success.

By David L. Harrison

I know poets with Ph.D. in front of their names. They lecture about poetry, write books about poetry, and their poems appear in erudite journals and magazines. I know poets who learned their trade by taking classes and workshops, reading poetry, and writing a lot of their own. And I know poets who are tone-deaf, metrically challenged and have little chance of ever being published. But from the amateur to the renowned, all these poets write for the same reason: they love to write poems. There’s another category of poets I know: teachers, who find themselves facing the annual, obligatory poetry unit with the same enthusiasm with which they greet preparing their taxes. It’s one thing to write poems because you want to. Writing them because you have to, especially in front of a classroom of kids watching, can be quite another matter. But it doesn’t have to be, and it shouldn’t be.

When I made up my first poem, I was hungry and tired of waiting. My mother was frying fish in the kitchen and I was sent to the living room to wait for dinner. The words I thought of expressed my need. I liked the way they sounded. “Sometimes I wish/I had a fish/upon a little dish.” No one told me I had to make up a poem. I was six years old so I could do anything. Seven decades later I’m still making up poems. The reason hasn’t changed: it’s a fun thing to do. Writing poems makes me feel good. Writing well is neither simple nor easy but it provides me with a sense of gratification that drives my desire to do it again. I keep paper and pen close by. I stash them in my bedroom, my car, my pockets. If there’s anything I’m better at than finding enticing ideas at unexpected times and places, it’s forgetting them if I don’t quickly scratch out a note.

I write poems because I can’t not write poems. No other form of writing can do for me what poetry can. In a few words I can express my thoughts and feelings about anything that attracts my interest—from wanting a fish upon a dish to the day our daughter was born. This works across the board for everyone from beginner to old pro to teacher showing kids how to do it. What other genre of writing can give us such a range of opportunities?

None.

Unless our ultimate goal is to see our work published, how good we are at writing poems is not as important as the fact that we can write poems. Few people have time or fortitude to tackle a story, much less a novel, but anyone can write a poem and receive the rewards that only true self-expression can provide. Studies show that young people who write poems expand their vocabularies, feel more acutely the natural rhythms flowing through our language, and learn to think more clearly, become more fluent readers and better speakers. Who can say that adults don’t receive similar benefits?

The last few decades have attracted a growing number of poets who specialize in writing for young readers to help entice them to write poems of their own. Many such poems appeal to readers of all ages. Where is the line between “big kids’” poetry and “little kids”’ poetry? For sure some poems meant for adult readers are too dense or sophisticated for young readers. But in many cases, it’s hard to say where or whether a line exists. When children can understand the work of a poet laureate (such as Billy Collins or Ted Kooser) and adults can like poems by “children’s” poets, the issue seems moot. When poems can be shared by so many readers, that alone is worth celebrating.

Where does a love for poetry begin? For many, it starts in kindergarten. Teachers who “marinate” their kids in poetry, as Bernice Cullinan (2006) urges, never wait until their poetry unit rolls around to read a poem to their kids. They do it every day. They know the advantages of involving poetry in every aspect of their teaching. This is not new news. Kathy A. Perfect (1999) wrote, “I could not imagine teaching a day without poetry in my classroom. It starts our day, shapes our day, and sometimes helps us get through the day.” Fast forward to Susan Hutchens (2018, personal correspondence), a Colorado teacher, who urges, “Always make room for poetry with students during times other than the obligatory poetry unit. In fact, be willing to add poetry whenever an interest arises.”

Is so much attention to poetry making a difference among young adults? Sunil Iyengar, NEA director of research and analysis, reported in June, 2018 that “twenty-eight million American adults read poetry this year — the highest percentage of poetry readership in more than 15 years…Young adults and certain racial ethnic groups account for a large portion of the increase. U.S. poetry readers aged 18 to 24 more than doubled…Among people of color, African Americans and Asian Americans are reading poetry at the highest rates — which more than doubled in the last five years.”

When my mother got married as a young woman, she gave up her secretarial job to become a stay-at-home wife and eventually raise two children. One day in her 90s, she casually mentioned to my sister and me that she had been writing poems since before we were born. She produced a shoebox filled with her poems, each handwritten on lined tablet paper. Writing poetry had been her secret delight over a lifetime. Her work wasn’t written to be published. But her love for words and writing made her a perfect coach for a 6-year-old wishing for a fish upon a dish. Not all teachers write better poems than their charges may write one day. That isn’t the point. What matters is that teachers who write poems because they love to are the ones most likely to pass that love along through their kids into the future. What a gift!

© David L. Harrison

David L. Harrison.com

David’s Blog

Cullinan, E.B. (2006), Galda, L. and Cullinan, E.B. Literature and the child. Harcourt        Brace Jovanovich

Hutchens, S. (2018) Personal correspondence. Livermore, CO

Iyengar, S. (2018, June). Reading tends to be a portal to other types of participation and           other types of engagement, in the arts and outside the arts. PBS News Hour.    Available at https://www.pbs.org/newshour/arts/poetry/how-young-writers-are      leading-a-poetry comeback?utm_source=Publishers%20Weekly&utm_campaign=8909d8c26c            EMAIL_CAMPAIGN_2018_07_12_09_58&utm_medium=email&utm_term=0_0   b2959cbb-8909d8c26c-305355025

Perfect, K.A. (1999, April). Rhyme and reason: poetry for the heart and head. The           Reading Teacher. V. 52, N. 7, P. 728. Newark, DE. International Reading         Association. Available at    https://www.jstor.org/stable/20204675?seq=1#page_scan_tab_contents.

By Timothy Rasinski, Ph.D

Anyone who has followed my work in the past knows that I am a huge advocate for the use of poetry (and song) in the literacy classroom for all students, but especially for younger readers and older readers who struggle.  I’d like to share reasons why I think poetry should be an essential part of any literacy program.     

Poetry is Joyous

            Perhaps the most important reason for the use of poetry is that it is pure joy to read and perform.  So many of today’s children’s poets write with such great humor that children are certain to find great delight.   Poetry is fun reading!

Poetry is Profound     

Beyond its ability to tickle a funny bone or two, poetry can be deeply profound and help build students’ knowledge of the world they live in. Whether it is David L. Harrison’s Rhymes for the Times that tell the story of America through poetry, Catherine Clinton’s I, Too, Sing America: Three Centuries of African American Poetry,  Glen Alberto Salazar’s A Little Book of Persian Poetry, or Brod Bagert’s heart of science poetry, poetry can expand children’s world and stretch their imaginations.

Poetry Builds the Foundation for Reading

            Research tells us that many children struggle in reading because of they are not fully proficient in the foundational aspects of reading.  Poetry is immensely suited to improve many foundational reading competencies.

Phonemic Awareness

            Poetry is filled with texts that play with sounds.  Think of all the nursery rhymes children should learn before starting school.   Diddle Diddle Dumpling, Dickery Dickery Dare, Peter Piper, picked a peck, or Betty Botter Bought some Butter are sure to help children develop an awareness of the phonemes /d/, /p/, and /b/.  I can’t help but wonder if nursery rhymes were first created to help children develop their awareness of speech sounds that is crucial to their language and literacy development.

Phonics

            Most poems for children rhyme.  Rhyming words are words usually (not always) have similar rimes (e.g. the -ake in bake, cake, rake, take…).    Helping children detect and decode rimes are a great way to develop their phonics or word decoding ability (as well as their spelling or encoding).   Dr. Edward Fry, for example, found that knowledge of just 38 common rimes could help children decode over 600 words simply by adding beginning consonant, consonant blend, or digraph.  Little Bo Peep is a perfect text to explore the -eep rime, and Maya Angelou’s Life Doesn’t Frighten Me at All is certain to help children learn about the -all rime (and much more!).

Vocabulary

            Poetry is filled with rich words that poets use to weave their magic.     Back to the Maya Angelou poem we can find wonderful words and phrases such as frighten, frogs and snakes, dragons, counterpane, tough guys, and much much more.  Our job as teachers is simply to help children notice these great words that poets make such great use of.  

Fluency

            Fluency is developed largely through repeated readings of texts.      Another name for repeated reading is rehearsal.  Poetry is meant to be performed, so in order to get the point where students are able to perform, they will need to rehearse, hopefully under the guidance and support of a teacher.  Moreover, the aim of the repeated reading is to read with good expression (prosody), which is at the heart of fluency, instead of reading fast which is the goal of too many repeated reading lessons.

Sight Vocabulary

            The rhythm, rhyme (and melody) in poetry, and songs makes them easily memorized. How many of us can remember a poem that we first learned and last read in our school days?  Sight words are essentially words that are memorized by sight and sound.   Poetry is excellent text for helping students expand their corpus of memorized words – sight vocabulary, especially when after reading (and performing) an entire poem we work with students to analyze individual words and word patterns in the poem itself.  

Writing

            Because poetry often has a specific and transparent structure, it is an excellent mentor text for students’ writing.  It is not difficult for students to write their own versions (or parodies) of favorite poems or songs, whether it is their own versions of Yankee Doodle, Judith Viorst’s If I were in Charge of the World, or Langston Hughes’ Mother to Son the structure of the poetic text gives students a head start on creating their own poetry.  A favorite for many students in our university reading clinic:

Diddle Diddle Dumpling my son John,

Went to bed with his stockings on.

One shoe off, one shoe on.

Diddle Diddle Dumpling, my son John.

That rhyme is also a favorite for students writing their own.      Taylor, for example, wrote (rehearsed and performed) his own version of the rhyme:

Diddle Diddle Dumpling my son Fred,

Slept all day on his bed.

Woke up at midnight and screamed “there’s a monster under my bed.”

Diddle Diddle Dumpling, my son Fred.

Success – A Sense of Accomplishment

            Children who struggle in reading do not often experience success in their reading, especially when they compare themselves with their more proficient classmates.  Poems are relatively short, and the rhythm and rhyme embedded in poetry for children make them easy to learn to read and perform.  Imagine the feeling of accomplishment children can feel when they are able to fluently and expressively read a poem aloud, just as well as any more proficient reader, to classmates, teacher, family members, and others. That success is empowering.  In our reading clinic, our goal is for children to leave every single day with the ability to read something well and to read and perform it for their parents and other family members.  

Make Poetry Part of your Reading Curriculum

            In our educational world where stories and informational texts are the dominant forms of reading, we need to make a concerted effort to allow poetry a foothold.   Just 10-20 minutes of poetry reading a day can have a profound effect on children’s literacy development.  Poetry is particularly well suited for remote and virtual instruction. Poems can easily be sent electronically to students and printed at home.  Then, via zoom or other distance technology, teachers and children can easily practice, master, and perform a daily poem in that 10-20 time span.  Let’s make it a goal for poetry to be read, rehearsed, and performed every day of the school year! 

BrodBagert            https://www.brodbagertsheartofscience.com/

Margarita Engle         http://margaritaengle.com/

David L. Harrison       https://www.davidlharrison.com/

Sara Holbrook              https://www.saraholbrook.com/resources/poems/

Kenn Nesbitt                https://www.poetry4kids.com/

Robert Pottle               http://robertpottle.com/poetry-index.php

Jack Prelutsky           http://jackprelutsky.com/

You can find resources for teaching accurate and automatic word recognition (i.e. fluency) at Tim’s own website – www.timrasinski.com

Daily Word Ladders by Timothy Rasinski

Follow Tim on Twitter @TimRasinski1

 

By Lois Letchford

Living in Brisbane, Australia, my six-year-old son, Nicholas, failed first grade. The effects of going to school showed themselves through his quietness, his bitten fingernails, and the daily wetting of his pants. His teacher shouted at him for his slowness, his withdrawal, and his inability to follow the “simplest instructions.” Testing revealed he could read ten words, displayed no strengths, and above all, had a low IQ. The prognosis was dire.

An opportunity arose for our family when my husband was offered a 6 month study leave in Oxford, UK.  For our family this was a bit like déjà vu as my husband had completed his PhD there and where our eldest son was born.  This trip allowed him to investigate the flow over the roofs of model buildings in the Oxford Large Wind Tunnel to better understand the mechanisms that lead to failure.

Planning to use this time to work with Nicholas in a one-to-one setting, I set myself up with a series of books entitled, “Success for All.” With a new environment and time on our side, what could go wrong.  Well…isolated words on every page and no pictures did nothing to assist me in my teaching or Nicholas’s learning to read.  It was an abject failure, and I was no better than his first-grade teacher.

Faced with a blank slate, and no excuses, I thought about Nicholas’ strengths. I knew he could rhyme words and see patterns in words and his environment. With only these known skills, I thought about writing simple poems based around consonant-vowel-consonant letter patterns and rimes. I chose words which rhyme with bug, such as mug, lug, tug, and rug. 

 Moreover, most poems for children are structured around a rhythmic pattern that Nicholas could easily detect.   And, of course, poetry is a joy to read and easy enough that Nicholas could meet immediate success.                       

What a mug of a bug

 he is to lug his rug along the kitchen floor.

Doesn’t he know his rug will tug

           his good things out the door?

Together we talked about the meaning of the poem, found the rhyming words, and finally made illustrations for each poem read. The illustrations for the Mug of a bug poem began using different colored paper to create the bug and its rug, as our enjoyment for learning intensified.

The transformation in our little classroom was instant- no longer did I expect Nicholas to read anything. I read to him. One success led to another. And another. Everyday Nicholas was excited to read and play with yet another rhyme.

“I have a fun poem for you today, Nicholas,” I said.

“The cat in a hat sat on a mat with a rat and a bat.

Well, fancy that!
That is just not possible.

There might be one scratched cat, no rat or bat and one messy mat!” I read.

Nicholas sat, silently; his eyes fixed on the paper.

When Nicholas failed to comprehend, his immediate response was withdrawal.

My mind spun. “What do I have to do?”

“Nicholas, let’s act out this poem. What animal would you like to be?” I questioned. “The cat, the rat or the bat?”

“I think I’ll be,” decisions take Nicholas a long time, “I’ll be the cat!”  he says with a slight grin.

“Okay, I’ll be the rat,” I continued.

“And I’ll get a stuffed toy for the bat,” he says as he ran off to find an appropriate animal.

He returned proclaiming “I’ve got a hat and a mat and a bat!”

Well this showed he was thinking.

“Now we can act the poem out,” I suggested. “What happens if a cat, a rat and a bat were in a hat together?” I asked standing beside Nicholas.

“They would fight!” he replied instantly, laughing. The lesson provided loads of chuckles and giggles.

I was learning about teaching as Nicholas was learning to read. It’s now an enjoyable experience for both of us.

Although the words are easily decodable, inference occurs at all levels of reading. Readers must make inferences in order to comprehend.  We continued to recite our poems from memory as we walked his brothers to and from school. Later in the day we read them from the printed page. 

Each day we worked to retrieve and read those rhymes. His brain was being lined with language and making connections between words and pictures. Using poetry, which at the early stage is short, repetitive, and focuses on rhyming, there is often the clear purpose of creating an overarching image.  This allows the reader to feel they can grasp the image or message, however “silly”, quickly and enjoy the experience through the rhyming sounds they make in speaking the poem. In effect this image or message “cocoons” the reading experience and with repetition strengthens the understanding of the “whole” while building out the letter and word components.

The next step of finding rhyming words, allowed Nicholas to see and hear the pattern and actively encouraged him to recognize and manipulate the spoken parts of words. Finally, poetry allows for easy segmenting of words into their individual sounds. Each interaction with letters and sounds provided opportunities for strong foundational letter-sound associations, and helped Nicholas with many aspects of learning to read, thus the sounds “cocooned” within the whole, the rhyming pattern, and the individual word.

Every day a new poem helped Nicholas make tiny, but significant, steps forward learning to read.

After completing many poems using short vowel sounds, we moved on to more complex sounds — the oo sounds, as in cook, look, and book, captured my imagination. My focus turned to Captain Cook, the last of the great explorers. As an Englishman, he completed the mapping of Australia thereby presuming the founding of yet another British Colony. The words were simple, the ideas complex.

Captain Cook had a notion,

There was a gap in the map in the great big ocean.

He took a look, without the help of any book

Hoping to find a quiet little nook.

Captain Cook had a notion,

There was a gap in the map in the great big ocean.

He took a look and filled a whole book

That caused the world to look.

Living in Oxford and visiting museums, we encountered maps from the 1550s – ones that did not include our homeland – Australia

“Look, Nicholas,” I said, “there’s a gap in the map. There is no Australia.”

Our learning took a turn from writing simple word poems to writing poetry as an inquiry project.

I read books, all kinds of books, and turned my learning into poems for Nicholas. I found this was the best way for him to access information, and poetry made for easy repetition, for questioning and further tapping into his curiosity. Together we began to question – what knowledge did Captain Cook have when he left England for his explorations in the Pacific Ocean?

“Who came before Captain Cook?” Nicholas asked one day.

“That’s easy,” I replied. “That was Christopher Columbus.”

“And who came before Columbus?” he questioned.

I stopped. I was stunned.

Such a question had never entered my imagination, and for the first time, I knew my son did not have a “low IQ.” His questions told me he was assembling and processing information.  He was “thinking.”

Being in Oxford, with the world of libraries and maps at our fingertips, we searched for answers. Viewing maps in the local antique map shops aided our search. Discovering that Columbus’s travels were based on the maps of Ptolemy, led us to visit the Bodleian Library of Oxford University, hunting for more answers.

Our investigation began in the gift shop, where a lady eagerly awaited our questions.

“Do you know where we could find a Ptolemy map?” I questioned, with an anxious Nicholas by my side.

The lady turned away from us, leaned against the counter, and scratched her head. Her eyes scanned the bookshelf. Finally, she bent down and retrieved a large, blue-covered book.

“This is a new book in our collection,” she said as she carefully placed it on the counter. “It’s a book of Ptolemy’s maps and is only recently printed. Does this work for you?”

Nicholas and I gasped.

“Yes,” I replied as Nicholas grinned and nodded.

Adding positive, enriching experiences to our learning enhanced Nicholas’s curiosity.

Our time in Oxford was completed with a memorable visit to the British Museum to see Captain Cook’s original maps which capped our epic inquiry project.

Returning to our home in Australia, Nicholas once again attended our local school. I was feeling on edge when I met with the school counselor.

“Nicholas learned so much! I wrote poetry and he was so excited by our learning,” I gushed.

“Well,” she replied, “he’s still the worst child I’ve seen in twenty years of teaching!”

Shocked, I left the room with my tail between my legs.

This was not the end of the story, just the beginning of a new chapter.

But what I found from this work with Nicholas was that poetry can be a wonderful entry point to literacy for children, especially the ones who find reading difficult.    Poetry is fun to read.  Poetry is easy to learn to read.  Poetry contains word patterns that lays the foundation for phonics.  Poetry is meant to be performed fluently and expressively, so it must be rehearsed (repeated reading).  Poetry for children is easy to find, it is easy for parents and teachers to write, and it can be a great way to get children themselves into writing.    In addition, poetry can lead to much deeper readings, explorations, and discoveries as it did with Nicholas’s study of Captain Cook.   

Advice for parents whose children are like Nicholas:

Write for your children – write about their everyday experiences – what they see, hear, eat, or watch.

Write where you are with what you have.

Create books about their life.

Place the child as the central character of their story.

Take pictures to complement your writing.

Write in short sentences or poetry format.

Read and re-read to and with your child.

Recite the sentences or poems.

Record their reciting and send it to relatives – if possible, ask relatives to respond.

If a child has a challenge recalling a particular sound, find words and objects which include it.

Write and read every day.

Remember:

Learning is emotional, as well as cognitive.

When learning is painful, sadly, that’s what children learn.

When children are laughing, learning happens with ease.

Once the process begins, one never knows where it ends…

Postscript

Nicholas Letchford learned to read, thanks to his mother Lois and many fine teachers. Indeed, learning to read was only the beginning of his journey. In 2018, Nicholas earned a doctorate inApplied Mathematics from Oxford University in the UK. Lois became a readingspecialist in 1997, teaching children who had been left behind. She has also written about her and Nicholas’s journey to literacy in her inspiring book “Reversed: A Memoir,” which can be ordered through any bookseller.

Grab a copy of Reversed: A Memoir to read the full story at https://amzn.to/3d2cNg5

Reversed: A Memoir is her first book. In this story, she details the journey of her son’s dramatic failure in first grade. She tells of the twist and turns that promoted her passion and her son’s dramatic academic turn-a-round from “dyslexic” to PhD from Oxford University!